Ruskin Bond Children's Omnibus Volume 2 Read online

  Many people are under the erroneous impression that the days of the British Raj were synonymous with huge meals and unlimited food and drink. This may have been the case in the days of the East India Company, but was far from being so during the last decade of British rule. Those final years coincided with World War II, when food rationing was in force. At my boarding school in Shimla, omelettes were made from powdered eggs, and the contents of the occasional sausage were very mysterious—so much so, that we called our sausages ‘sweet mysteries of life!’ after a popular Nelson Eddy song.

  Things were not much better at home. Just porridge (no eggs!) bread and jam (no butter!), and tea with ghur instead of refined sugar. The ghur was, of course, much healthier than sugar.

  Breakfasts are better now, at least for those who can afford them. The jam is better than it used to be. So is the bread. And I can enjoy a fried egg, or even two, without feeling guilty about it. But good omelettes are still hard to come by. They shouldn’t be made in a hurried or slapdash manner. Some thought has to go into an omelette. And a little love too. It’s like writing a book—done much better with some feeling!

  IVING AT 7,000 feet, I am fortunate to have a big window that opens out on the forest so that the trees are almost within my reach. If I jumped, I could land quite neatly in the arms of an oak or horse chestnut. I have never made that leap, but the big langurs—silver-grey monkeys with long, swishing tails—often spring from the trees onto my corrugated tin roof, making enough noise to frighten all the birds away.

  Standing on its own outside my window is a walnut tree, and truly this is a tree for all seasons. In winter the branches are bare, but beautifully smooth and rounded. In spring each limb produces a bright green spear of new growth, and by mid-summer the entire tree is in leaf. Toward the end of the monsoon the walnuts, encased in their green jackets, have reached maturity. When the jackets begin to split, you can see the hard brown shells of the nuts, and inside each shell is the delicious meat itself.

  Every year this tree gives me a basket of walnuts. But last year the nuts were disappearing one by one, and I was at a loss as to who had been taking them. Could it have been the milkman’s small son? He was an inveterate tree climber, but he was usually to be found on the oak trees, gathering fodder for his herd. He admitted that his cows had enjoyed my dahlias, which they had eaten the previous week, but he stoutly denied having fed them walnuts.

  It wasn’t the woodpecker either. He was out there every day, knocking furiously against the bark of the tree, trying to pry an insect out of a narrow crack, but he was strictly non-vegetarian. As for the langurs, they ate my geraniums but did not care for the walnuts.

  The nuts seemed to disappear early in the morning while I was still in bed, so one day I surprised everyone, including myself, by getting up before sunrise. I was just in time to catch the culprit climbing out of the walnut tree. She was an old woman who sometimes came to cut grass on the hillside. Her face was as wrinkled as the walnuts she so fancied, but her arms and legs were very sturdy.

  ‘And how many walnuts did you gather today, Grandmother?’ I asked.

  ‘Just two,’ she said with a giggle, offering them to me on her open palm. I accepted one, and thus encouraged, she climbed higher into the tree and helped herself to the remaining nuts. It was impossible for me to object. I was taken with admiration for her agility. She must have been twice my age, but I knew I could never get up that tree. To the victor, the spoils!

  Unlike the prized walnuts, the horse chestnuts are inedible. Even the rhesus monkeys throw them away in disgust. But the tree itself is a friendly one, especially in summer when it is in full leaf. The lightest breeze makes the leaves break into conversation, and their rustle is a cheerful sound. The spring flowers of the horse chestnut look like candelabra, and when the blossoms fall, they carpet the hillside with their pale pink petals.

  Another of my favorites is the deodar. It stands erect and dignified and does not bend with the wind. In spring the new leaves, or needles, are a tender green, while during the monsoon the tiny young cones spread like blossoms in the dark green folds of the branches. The deodar enjoys the company of its own kind: where one deodar grows, there will be others. A walk in a deodar forest is awe-inspiring—surrounded on all sides by these great sentinels of the mountains, you feel as though the trees themselves are on the march.

  I walk among the trees outside my window often, acknowledging their presence with a touch of my hand against their trunks. The oak has been there the longest, and the wind has bent its upper branches and twisted a few so that it looks shaggy and undistinguished. But it is a good tree for the privacy of birds. Sometimes it seems completely uninhabited until there is a whirring sound, as of a helicopter approaching, and a party of Long-Tailed Blue Magpies flies across the forest glade.

  Most of the pines near my home are on the next hillside. But there is a small Himalayan Blue a little way below the cottage, and sometimes I sit beneath it to listen to the wind playing softly in its branches.

  When I open the window at night, there is almost always something to listen to: the mellow whistle of a pygmy owlet, or the sharp cry of a barking deer. Sometimes, if I am lucky, I will see the moon coming up over the next mountain, and two distant deodars in perfect silhouette.

  Some night sounds outside my window remain strange and mysterious. Perhaps they are the sounds of the trees themselves, stretching their limbs in the dark, shifting a little, flexing their fingers, whispering to one another. These great trees of the mountains, I feel they know me well, as I watch them and listen to their secrets, happy to rest my head beneath their outstretched arms.

  HIMLA HAS its phantom rickshaw and Lansdowne its headless horseman. Mussoorie has its woman in white. Late at night, she can be seen sitting on the parapet wall on the winding road up to the hill station. Don’t stop to offer her a lift. She will fix you with her evil eye and ruin your holiday.

  The Mussoorie taxi drivers and other locals call her Bhoot Aunty. Everyone has seen her at some time or the other. To give her a lift is to court disaster. Many accidents have been attributed to her baleful presence. And when people pick themselves up from the road (or are picked up by concerned citizens), Bhoot Aunty is nowhere to be seen, although survivors swear that she was in the car with them.

  Ganesh Saili, Abha and I were coming back from Dehradun late one night when we saw this woman in white sitting on the parapet by the side of the road. As our headlights fell on her, she turned her face away, Ganesh, being a thorough gentleman, slowed down and offered her a lift. She turned towards us then, and smiled a wicked smile. She seemed quite attractive except that her canines protruded slightly in vampire fashion.

  ‘Don’t stop!’ screamed Abha. ‘Don’t even look at her! It’s Bhoot Aunty!’

  Ganesh pressed down on the accelerator and sped past her. Next day we heard that a tourist’s car had gone off the road and the occupants had been severely injured. The accident took place shortly after they had stopped to pick up a woman in white who had wanted a lift. But she was not among the injured.

  Miss Ripley Bean, an old English lady who was my neighbour when I lived near Wynberg-Allen school, told me that her family was haunted by a malignant phantom head that always appeared before the death of one of her relatives.

  She said her brother saw this apparition the night before her mother died, and both she and her sister saw it before the death of their father. The sister slept in the same room. They were both awakened one night by a curious noise in the cupboard facing their beds. One of them began getting out of bed to see if their cat was in the room, when the cupboard door suddenly opened and a luminous head appeared. It was covered with matted hair and appeared to be in an advanced stage of decomposition. Its fleshless mouth grinned at the terrified sisters. And then as they crossed themselves, it vanished. The next day they learned that their father, who was in Lucknow, had died suddenly, at about the time that they had seen the death’s head.

  Ev
eryone likes to hear stories about haunted houses; even sceptics will listen to a ghost story, while casting doubts on its veracity.

  Rudyard Kipling wrote a number of memorable ghost stories set in India—Imray’s Return, The Phantom Rickshaw, The Mark of the Beast, The End of the Passage—his favorite milieu being the haunted dak bungalow. But it was only after his return to England that he found himself actually having to live in a haunted house. He writes about it in his autobiography, Something of Myself:

  ‘The spring of ‘96 saw us in Torquay, where we found a house for our heads that seemed almost too good to be true. It was large and bright, with big rooms each and all open to the sun, the ground embellished with great trees and the warm land dipping southerly to the clean sea under the Mary Church cliffs. It had been inhabited for thirty years by three old maids.

  The revelation came in the shape of a growing depression which enveloped us both—a gathering blackness of mind and sorrow of the heart, that each put down to the new, soft climate and, without telling the other, fought against for long weeks. It was the Feng-shui—the Spirit of the house itself—that darkened the sunshine and fell upon us every time we entered, checking the very words on our lips... We paid forfeit and fled. More than thirty years later we returned down the steep little road to that house, and found, quite unchanged, the same brooding spirit of deep despondency within the rooms.’

  Again, thirty years later, he returned to this house in his short story, ‘The House Surgeon’, in which two sisters cannot come to terms with the suicide of a third sister, and brood upon the tragedy day and night until their thoughts saturate every room of the house.

  Many years ago, I had a similar experience in a house in Dehradun, in which an elderly English couple had died from neglect and starvation. In 1947, when many European residents were leaving the town and emigrating to the UK, this poverty-stricken old couple, sick and friendless, had been forgotten. Too ill to go out for food or medicine, they had died in their beds, where they were discovered several days later by the landlord’s munshi.

  The house stood empty for several years. No one wanted to live in it. As a young man, I would sometimes roam about the neglected grounds or explore the cold, bare rooms, now stripped of furniture, doorless and windowless, and I would be assailed by a feeling of deep gloom and depression. Of course I knew what had happened there, and that may have contributed to the effect the place had on me. But when I took a friend, Jai Shankar, through the house, he told me he felt quite sick with apprehension and fear. ‘Ruskin, why have you brought me to this awful house?’ he said. ‘I’m sure it’s haunted.’ And only then did I tell him about the tragedy that had taken place within its walls.

  Today, the house is used as a government office. No one lives in it at night except for a Gurkha chowkidar, a man of strong nerves who sleeps in the back verandah. The atmosphere of the place doesn’t bother him, but he does hear strange sounds in the night. ‘Like someone crawling about on the floor above,’ he tells me. ‘And someone groaning. These old houses are noisy places...’

  A morgue is not a noisy place, as a rule. And for a morgue attendant, corpses are silent companions.

  Old Mr Jacob, who lives just behind the cottage, was once a morgue attendant for the local mission hospital. In those days it was situated at Sunny Bank, about a hundred metres up the hill from here. One of the outhouses served as the morgue: Mr Jacob begs me not to identify it.

  He tells me of a terrifying experience he went through when he was doing night duty at the morgue.

  ‘The body of a young man was found floating in the Aglar river, behind Landour, and was brought to the morgue while I was on night duty. It was placed on the table and covered with a sheet.

  ‘I was quite accustomed to seeing corpses of various kinds and did not mind sharing the same room with them, even after dark. On this occasion a friend had promised to join me, and to pass the time I strolled around the room, whistling a popular tune. I think it was ‘Danny Boy’, if I remember right. My friend was a long time coming, and I soon got tired of whistling and sat down on the bench beside the table. The night was very still, and I began to feel uneasy. My thoughts went to the boy who had drowned and I wondered what he had been like when he was alive. Dead bodies are so impersonal...

  ‘The morgue had no electricity, just a kerosene lamp, and after some time I noticed that the flame was very low. As I was about to turn it up, it suddenly went out. I lit the lamp again, after extending the wick. I returned to the bench, but I had not been sitting there for long when the lamp again went out, and something moved very softly and quietly past me.

  ‘I felt quite sick and faint, and could hear my heart pounding away. The strength had gone out of my legs, otherwise I would have fled from the room. I felt quite weak and helpless, unable even to call out...

  ‘Presently the footsteps came nearer and nearer. Something cold and icy touched one of my hands and felt its way up towards my neck and throat. It was behind me, then it was before me. Then it was over me. I was in the arms of the corpse!

  ‘I must have fainted, because when I woke up I was on the floor, and my friend was trying to revive me. The corpse was back on the table.’

  ‘It may have been a nightmare,’ I suggested. ‘Or you allowed your imagination to run riot.’

  ‘No,’ said Mr Jacobs. ‘There were wet, slimy marks on my clothes. And the feet of the corpse matched the wet footprints on the floor.’

  After this experience, Mr Jacobs refused to do any more night duty at the morgue.

  From Herbertpur near Paonta you can go up to Kalsi, and then up the hill road to Chakrata.

  Chakrata is in a security zone, most of it off limits to tourists, which is one reason why it has remained unchanged in 150 years of its existence. This small town’s population of 1,500 is the same today as it was in 1947—probably the only town in India that hasn’t shown a population increase.

  Courtesy a government official, I was fortunate enough to be able to stay in the forest rest house on the outskirts of the town. This is a new building, the old rest house—a little way downhill—having fallen into disuse. The chowkidar told me the old rest house was haunted, and that this was the real reason for its having been abandoned. I was a bit sceptical about this, and asked him what kind of haunting look place in it. He told me that he had himself gone through a frightening experience in the old house, when he had gone there to light a fire for some forest officers who were expected that night. After lighting the fire, he looked round and saw a large black animal, like a wild cat, sitting on the wooden floor and gazing into the fire. ‘I called out to it, thinking it was someone’s pet. The creature turned, and looked full at me with eyes that were human, and a face which was the face of an ugly woman! The creature snarled at me, and the snarl became an angry howl. Then it vanished!’

  ‘And what did you do?’ I asked.

  ‘I vanished too,’ said the chowkidar. ‘I haven’t been down to that house again.’

  I did not volunteer to sleep in the old house but made myself comfortable in the new one, where I hoped I would not be troubled by any phantom. However, a large rat kept me company, gnawing away at the woodwork of a chest of drawers. Whenever I switched on the light it would be silent, but as soon as the light was off, it would start gnawing away again.

  This reminded me of a story old Miss Kellner (of my Dehra childhood) told me, of a young man who was desperately in love with a girl who did not care for him. One day, when he was following her in the street, she turned on him and, pointing to a rat which some boys had just killed, said, ‘I’d as soon marry that rat as marry you.’ He took her cruel words so much to heart that he pined away and died. After his death, the girl was haunted at night by a rat and occasionally she would be bitten. When the family decided to emigrate, they travelled down to Bombay in order to embark on a ship sailing for London. The ship had just left the quay when shouts and screams were heard from the pier. The crowd scattered, and a huge rat with fiery e
yes ran down to the end of the quay. It sat there, screaming with rage, then jumped into the water and disappeared. After that (according to Miss Kellner), the girl was not haunted again.

  Old dak bungalows and forest rest houses have a reputation for being haunted. And most hill stations have their resident ghosts—and ghost writers! But I will not extend this catalogue of ghostly hauntings and visitations as I do not want to discourage tourists from visiting Landour and Mussoorie. In some countries, ghosts are an added attraction for tourists. Britain boasts of hundreds of haunted castles and stately homes, and visitors to Romania seek out Transylvania and Dracula’s castle. So do we promote Bhoot Aunty as a tourist attraction? Only if she reforms and stops sending vehicles off those hairpin bends that lead to Mussoorie.

  Most bats fly high,

  Swooping only

  To take some insect on the wing;

  But there's a bat I know,

  Who flies so low,

  He skims the floor;

  He does not enter at the window,

  But flies in at the door,

  Does stunts beneath the furniture...

  Is his radar wrong,

  Or does he just prefer

  Being different from other bats?

  And when sometimes,

  He settles upside down,